An around-the-world time lapse journey celebrating our Sacred Earth. Six years in the making... seven continents... 24 countries.
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My life as a filmmaker has been a journey which has blessed me with the privilege of seeing some of the most surreal and timeless places on the planet. These images of our Sacred Earth set to music are my way of sharing some of the magic I’ve experienced along the way…
“Terra Sacra” ~ Latin for Sacred Earth.
Terra Sacra Time Lapses is a short film featuring remote landscapes and ancient monuments from around the globe. These images were photographed between 2006-2012 on personal travels and assignments for Art Wolfe’s Travels to the Edge and Parallax Film Productions.
I’ve combined my favourite shots from these trips into non-narrative film that touches on a theme close to my heart: Sacred Earth.
The visuals are driven by an original score by composer Roy Milner (roymilner.com). The six-minute film is a journey through three distinct Acts: (I) Primordial Earth (II) Past meets Present and (III) Eternal Universe.
This film is a personal project to share the beauty and awe I witnessed at these locations. I hope viewers will be moved by the intangible power of our Terra Sacra.
Shot-by-shot breakdown of each location in the film HERE
Most of the time lapses were shot with a Canon 5D at the maximum resolution using a TC-80N3 intervalometer. A few shots were taken with a Canon 7D and Canon 5D mk II.
All images are single manual exposures, no HDR composites.
Original full resolution images were colour corrected and processed in 16-bit in Adobe Bridge using Camera Raw and exported as JPEG sequences at maximum quality. The rendered JPEG sets were then opened in Quicktime Pro as image sequences and exported at their native full resolution (up to 5K) as Quicktime movies at 23.98 fps with the Apple ProRes 422 (HQ) codec. The ProRes 422 (HQ) files were then edited in Final Cut Pro 7.0.3 on a ProRes 422 (HQ) timeline at 23.98. The master file is ProRes 422 (HQ) 1920 x 1080.
Selected time lapse sequences were also processed using Adobe Bridge and LRTimelapse to smoothen aperture flicker apparent in some shots with large depth-of-field.
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